The Power of the Diegetic Paradigm: How the Cinematography of “Marry Shelley’s Frankenstein” Reinforces Its Pre-Text On-Camera
نویسندگان
چکیده
The film Mary Shelley’s Frankenstein by Kennet Branagh strongly emphasizes the social, political and cultural concerns of author Shelley. employs cinematography to refer pre-text its main ideas implicitly or explicitly. His adaptation, indeed, differs from plot in novel, however, still manage reinforce discussion her novel thanks semiotics. In this case, expresses what he grasps creating his own imagery through cinematographic elements such as camera angles gaffing. With help cinematography, remains loyal since extends discusses them according time. Even though changes, which cannot be a concern adaptation theory, reflects characters remaining origin, sets lighting harmony with characterization setting novel.
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ژورنال
عنوان ژورنال: Canadian journal of language and literature studies
سال: 2022
ISSN: ['2564-2979']
DOI: https://doi.org/10.53103/cjlls.v2i1.30